YOU CAN HAVE IT ALL Hoe de eerste vonken zichtbaar warenKathleen Heil YOU CAN HAVE IT ALL, Kathleen Heils debut poetry collection, traverses Berlin, London, New York, New Orleans and Madrid. With guest appearances from the work of Andy Warhol, Trajal Harrell, John Berger, Marina Abramovi, and Gilda Radner, among others, Heil examines, with wry humour, life, love, violence, art and cows under late capitalism. Giorgio Agamben once said all poems are either elegies or hymns. Heils work sings between these two
French poetic tradition meets the New York School poets in a unique take on homosexuality
cry without knowing why
the poem sails along at Homer's swift
Enter here to experience Free Jazz as a groove theory
Men in the Off Hours shows us a fiercely individual poet at her best
Much as abstraction in its representation of things as pictorial patterns at times distills the geometrical shape of an object by shedding its function
ook al is die gestorven
They are the poet’s interlocutors
is the body
and how to survive—to live the ethics that a Black feminist lesbian warrior poetics demands
A box of prosodic bonbons with exploding centers
imagination
